1/ Woobou/Volunteer Slavery (Worrell/Kirk) 3.58 2/ Method Plan One (MoD) 3.25 3/ Black Rain (MoD) 5.49 4/ Chamber Seven (MoD) 5.19 5/ Dark Heat (MoD) 8.06 6/ Wootwo/Cosmic Slop (Worrell/Worrell,Clinton) 7.14 7/ Method Exit Dub (MoD) 13.00 Recorded live in Nihon Compiled by Bill Laswell Engineer: Robert Musso Assistant engineer: James Dellatacoma Produced by Bill Laswell Mastered by Michael Fossenkemper at Turtle Tone Studio, NYCBill Laswell: bass; Dr. Israel: vocals, electronics, effects; Bernie Worrell: keyboards; Toshinori Kondo: trumpet; Guy Licata: drums.
2009 - Rare Noise Records (UK), RNR003 (CD+DVD)Note: The DVD contains 2 sets from this show - the CD contains set 2.
Others, on the other hand, object to the fact that Laswell's personality – not to mention rather glossy touch – is so deeply stamped upon everything that passes through his mixing desk. Production work on Motorhead's Orgasmatron and “sellout" Swans album Burning World have received some of the loudest criticism, alongside his remixes of Miles Davis and Bob Marley. Yet they are far from isolated incidents: a thread on the ilxor music forum entitled “Is there a worse producer in the universe than Bill Laswell?" ran happily from 2001 to 2008.
Nihon, Laswell's new album in his Method Of Defiance guise is, in truth, unlikely to change minds in either direction. Stylistically, its heart sits somewhere between dub and ambient drum'n'bass, although both rock and dancehall stick an occasional oar in (the latter most evident in Dr Israel's occasional vocal toasts). Toshinori Kondo's diffused, effects-laden trumpet, meanwhile, recalls the expansive jazz-influenced tones of Jon Hassell or Nils Petter Molvaer.
Laswell may have been born in Illinois four decades previously, but the overall effect is at times strangely reminiscent of 1990s Bristol. Channeled through that almighty echo chamber are reverberations of both Massive Attack's co-opting of dub and 70s funk and jazz, and the live drum'n'bass of Reprazent (though in contrast to both those acts, Nihon is a predominantly instrumental affair).
The continued focus on groove will frustrate those looking for melodic or harmonic innovation, but Nihon is a stoner record, moody and unhurried, and it should at the very least succeed in setting heads nodding. It's just edgy enough too, and with sufficient filth in the lower register to counteract Laswell's occasional weakness for the envelope filter. Some may question the relevance of a dubby DnB record in 2009 – but if Laswell doesn't seem to be breaking any new ground in this instance, it's in many ways testament to his success in pioneering this kind of genre cluster-fuck over the past three decades. Give the man a break.
Marcus O'Dair (courtesy of the The Quietus website)
The latest project helmed by bassist/producer and ambient music veteran Bill Laswell finds the man collaborating with a far-flung cast of musical characters beneath the moniker Method of Defiance. In the past, Laswell has worked with everyone from John Zorn to Mick Jagger to Public Image Ltd. to Yoko Ono to Motorhead. As stylistically disparate as these artists are, Laswell always managed to bring continuity to the projects he worked on, most of it based on his tendencies toward the manipulation of ambience and his deeply held belief that virtually any genre of music can be successfully mixed with any other. Method of Defiance pairs Laswell’s often heavily distorted bass motifs with the spacious and funky keyboard washes of Parliament/Funkadelic legend Bernie Worrell, electric trumpet player Toshinori Kondo, vocalist and electronics-manipulator Doctor Israel, and drummer Guy Licata. Fans of Laswell’s Miles Davis pastiche “Panthalasa” will fall quickly for this genre-hopping live recording (and its accompanying DVD). It’s atmospheric, evocative and, when all cylinders fire at once, transcendent music.
3 1/2 out of 4 stars
Jeff Miers (courtesy of the The Buffalo News website)