1/  FFF                                        (Laswell,Lydon)               5.30
  2/  Rise                                       (Laswell,Lydon)               6.05
  3/  Fishing                                    (Lydon,Bruni,Schulz)          5.14
  4/  Round                                      (Lydon,Schulz)                4.25
  5/  Bags                                       (Lydon,Bruni,Schulz)          5.24
  6/  Home                                       (Laswell,Lydon)               5.47
  7/  Ease                                       (Lydon,Bruni)                 8.10

          Recorded at Power Station, New York City
          Additional recording at Quad Recording Studios, New York City, Electric
            Lady Studios, New York City and RPM Studios, NYC by Robert Musso
          Mixed by Jason Corsaro at Power Station
          Assistant Engineer : Steve Boyer
          Drum Specialist: Artie Smith
          Produced by Bill Laswell/Material and John Lydon
          Administration for Material : Roger Trilling
John Lydon: vocals; Tony Williams (1,2,6): drums; Ginger Baker (3,4,5,7): drums; Steve Vai: guitar; Nicky Skopelitis: guitar (1,2,3,4,6), Fairlight CMI (4); Malachai Favors (3,5,7): acoustic bass; Jonas Hellborg (4): bass; Bill Laswell (1,2,3,4,5,6): bass; Bernie Worrell: organ (1,4,6), DX7 (3); Ryuichi Sakamoto (2,3,5,7): Fairlight CMI; L. Shankar (2,4): violins; Aiyb Dieng (4): chatan; Bernard Fowler: background vocals; Steve Turre (7): didjeridu.

          1985 - Elektra/Asylum (USA), 9 60438-1 (Vinyl)
          1985 - Elektra/Asylum (USA), 9 60438-2 (CD)
          1986 - Virgin (UK), V2366 (Vinyl)
          1986 - Virgin (France), 123 661 (Vinyl)
          1986 - Virgin (Germany), 207 594-630 (Vinyl)
          1986 - Virgin (UK), CDV 2366 (CD)
Note: This album was titled relative to whatever format it was bought on.


After the release of This Is What You Want, Lydon assembled yet another touring band. Martin Atkins stayed on as drummer, with Jebin Bruni and Mark Schulz joining the band's ranks. While gigging, Bruni and Schulz assisted in writing the material that wound up on Album. Atkins left to spend more time on his own projects after touring, and Lydon again scrapped his remaining associates prior to recording. Anyone's first 10,000 guesses as to who Lydon would work with next couldn't possibly come close, as the unlisted credits for Album read as a motley crew of established musicians who literally have no business being anywhere near Lydon, let alone in a studio with him or with one another. Well, maybe that made perfect sense, given Lydon's ability to baffle. The hardest working man in the avant-garde, Bill Laswell, produced and played bass, which isn't too much of a stretch. But Steve Vai and Ryuichi Sakamoto? Or better yet, Ginger Baker? (Especially odd since PiL played an April Fools' joke on the press by announcing his membership in the early '80s.) Strange bedfellows indeed, but the lineup makes for a surprisingly cohesive (if mediocre) rock record.

"Rise" proves that "This Is Not a Love Song" was no fluke, not Lydon's lone stab at pop accessibility. Successfully marrying rock with Celtic folk (a heavier Dexy's Midnight Runners?), Lydon's chorus is his most hospitable yet. Opener "FFF" and "Home" are other strong points, just as driving and defiant as anything from PiL's previous output. The former is as good as hard rock got in 1985. But Album can be found lacking in its reliance on outright professionalism and polish, emphasizing skill over craft. Vai's scorched shredding likely repelled Lydon's fans more than any of PiL's earlier attempts to alienate and frustrate. The 90-second wailing over closer "Ease" is anything but; at most points, Vai's playing just doesn't fit. Unfortunately, Yellow Magic Orchestra member Sakamoto pops up only a couple times. His talent is pretty much wasted here. On the whole, Album (or Compact Disc, or Cassette) is just as generic as its title.

Andy Kellman(courtesy of the All Music Guide, via the Get Music website)